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A Rave Called Sharon
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==Cultural context== A Rave Called Sharon is regarded as one of a cluster of seminal San Francisco Bay Area rave events active in the early 1990s. It is cited alongside parties such as [[Toon Town (rave)|Toon Town]], Come Unity, Full Moon Raves, Stompy, Funky Tekno Tribe, and events run by the [[Wicked (rave collective)|Wicked]] crew as having helped define the character of the local scene.<ref>{{cite web |url=https://www.okayfuture.com/features/throwback-thursdays-san-francisco-raves-1990s.html |title=Throwback Thursdays: San Francisco Raves in the 1990s Pt. 1 |publisher=Okay Future |date=2014-06-12}}</ref> The event received national attention when it was featured in a 1992 ''[[Newsweek]]'' article, "Through the Looking Glass," one of the mainstream press's early attempts to document and explain American rave culture to a general audience. The article used A Rave Called Sharon as its central case study, framing the San Francisco scene as distinctly optimistic and technologically curious compared to rave cultures developing elsewhere in the United States.<ref name=newsweek/> Sharon Virtue was among the women who played significant organising roles in the Bay Area scene at a time when its history was often recorded with a primarily male focus. Her inclusion in the documentary ''Between the Beats'' (2024) was noted as part of that film's effort to recover a more complete picture of who built the scene.<ref>{{cite web |url=https://48hills.org/2024/10/sf-rave-doc-between-the-beats-finally-hits-the-streets/ |title=SF rave doc 'Between the Beats' finally hits the streets |publisher=48 Hills |date=2024-10-31}}</ref>
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